CALAMITY
No, I wasn't always this ugly
after Roque Dalton
Or maybe I'm just figuring it out like I'm figuring out
other things, like to check the mail or that my mom
and dad do sex stuff or that my students are married
or have children or that either way we don't really
have a choice when it comes to elections—
and what is choice really other than recognizing limits
and breathing in their presence? I ask myself these questions
nowadays and try to solve them in poetry or with poetry
because, again—I'm limited and breathing
so no, I wasn't always this ugly—it was & was not
a choice because I am limited to this body & its needs—
the air & other matter to keep being a spirit bag
& no I never said yes, I'll take that face or knew
it was my face really until right now—
I guess I never really think about it
other than when I watch Face Off with Nicolas Cage
& John Travolta —they take the skin right off
cover each others' bones with their choices
—all the cops wear black and I wonder what effect that has
on our reception of them & I know the connotations
of black are unfounded & constructed but still I wonder
if they had to wear orange or stripes or stars or
an American flag over their bodies if they would still
choose it or if it would change completely
or if they would say no, I wasn't always this ugly
it's just the world on my body
Sara Borjas is a 4th generation Mexican-American, a Fresno poet, a bartender, and a lecturer. She digs space, time, memory, aromatics, modern classic cocktails, tiny prints, and oldiez. She currently lectures in the Department of Creative Writing at UC Riverside and lives in Los Angeles and likes it there. Her work has been previously published in Luna Luna, The Boiler, The McNeese Review, Verdad, Yes, Poetry, and Other Poetry, amongst others.