CALAMITY
twenty-one truths & a lie
i have a recurring nightmare:
bodies sheathed in fog
slap against my slick car
i study strangers’ faces
hopeful they will occupy
the watery figures of my dreams
i have many qualities of an absolute ruler, but above all:
glut
i once knew a parrot that lived in a funeral home
it perched by the phone and said brrring! brrring! kenosha funeral home
it perched by the phone and said shut the fuck up i’m trying to sleep
i wish i was the color of patina
i think red suns are a bad omen
i’ve only seen one: the radio said it was because a forest
burned in canada: but the gunfire came peppery and bright
i look at landscapes and cathedrals
for a long time
deciding which
is which
i imagine the deaths of those i love
occurring in at least five different ways
i was twenty-three and eating an apple
when i realized i was naked
i prefer being the artist over the work of art
but i admit to having second thoughts
i have another recurring nightmare:
a boy holds out an open hand
worms waver in the fleshy dirt
of his palm like a second set of
fingers
i have known at least three
misguided saints
who did not deliver
me safely to my bed
i see a street light
but hear slow gin fizz
i firmly believe i was dangerous
once
i find the world never knowing a day
without grief
a comfort
i put more stock in bone-house
than body
i heard once that error in latin means
wandering about
so i erred and erred and erred
i never asked for forgiveness
for kissing a stranger goodbye
because it didn’t feel like a goodbye kiss
i make a habit of jumping off cheekbones
that remind me of cliffs
i think the sentence if you stay i’ll have sex with you
is about as neat as a spoon
in a garbage disposal
but i have heard it before
and i have stayed
i watched a woman ice a cake on a subway for eleven minutes
i never figured out what is worth lying about
Alexandria Petrassi studies poetry in the MFA program at George Mason University. She works as the Assistant Editor at So to Speak, the Editor-in-Chief of Floodmark, and a Digital Communications consultant. Her work has appeared in Sweet Tree Review, The Seldom Review, on The American Writer’s Museum’s blog, and on Stillhouse Press’s blog, Moonshine Murmurs. You can find her on Instagram @alexandriapetra.